Track By Tracks: Stoner Kings - Alpha Male (2020)
Fucked A.D. is the opening track off of our new Alpha Male album. Its
central message regards the smoke and mirrors of both modern-day
disinformation, as well as the plethora of lies that we are fed on a
daily basis through the powers that be and the media at large.
Fucked A.D.'s most poignant line has to be "You wanted relative
meanings, whatever fit in your mold, but now you're reaping the
whirlwind, you're house of cards gonna fold."
Fucked A.D. is the one of the faster songs on the album. It's laced
with punkish attitude and a very angry stomp. The chorus is pure gold
and catchy as hell, to boot.
Fucked A.D. is inconvenient truth, a song that is as much a statement
as it is a punch in the face.
2. Bray With The Damned:
Bray With The Damned may very well be the most commercial cut on the
new Stoner Kings album, Alpha Male. With a super-catchy chorus and a
deep grooving main riff, this song forces the hips the sway and heads
to bang.
The message here tells of self-deception and how we, as people, try to
hide away from facing the truth and attending the day of reckoning. In
general, people are relentless bullshit artists, who seek what is
convenient for them at any given point.
Bray With The Damned takes no
prisoners and shows no mercy in tearing apart the fallacy of this line
of thinking.
Band vocalist Michael "StarBuck" Majalahti wrote this song over six
years ago, originally as Cubase demo, using drum library samples from
Aerosmith skinsman Joey Kramer and playing the guitars and laying down
the vocals himself. Stoner Kings bassist Rude Rothsten played the bass
even at that time on the demo.
"I always had a feeling I'd record this song for real one day,"
Michael states. "It was high time once we started laying down tracks
for our third album and I saw that this was the prime moment to make
that a reality. I'm glad we immortalized it."
3. Damnation's Own:
Damnation's Own was originally written and recorded in 2007 under the
third line-up of Stoner Kings, which featured Michael Majalahti on
vocals as the only original band member, Petteri Hirvanen on guitar,
Harri Rasanen on drums and Rude Rothsten on bass.
"That was a tumultuous time," tells Michael. "I folded what remained
of the original line-up in late 2006 after the tour we did to support
our second album, Fuck The World, that year. I just felt the guys in
the band no longer had their heart in the game and getting on the same
page was damn near impossible, so I relaunched Stoner Kings with a set
of new players."
The 2007-2008 line-up of Stoner Kings recorded a set of demos at
Tampere's Fantom Studios in 2007 under the auspices of Samu Oittinen
as engineer. Amongst the fruits of these recordings was Damnation's
Own, a song telling of a person who has willingly made the wrong
choices in their life, taking them down the road to ruin, regardless
of the lifesavers thrown their way.
"The gem here is the chorus, which has a very melodic hook."
songwriter Michael continues. "But I also have a specific affinity
toward the main riff, which is very jerky and rhythmic. It's a good
song."
Damnation's Own has now been officially laid down on tape and it's hot
off the press to enjoy on the new Stoner Kings Alpha Male album!
4. Green Machine:
Green Machine was originally recorded by stoner rock legends Kyuss for
their second album back in 1992 called Blues For The Red Sun. The song
stands as one of the most recognized pieces of the entire stoner rock
and stoner metal genre, as does Kyuss, as one of the "Big 3" of the
scene, alongside Monster Magnet and Fu Manchu back in the '90s.
"I'd wanted to cover this song for a long time," states Stoner Kings
vocalist and songwriter Michael Majalahti. "It's one that hasn't been
covered to death already and we felt the song could really use an
update. I heartily dare say we did more than justice to the original."
With an updated sound, better production values and Stoner Kings
producer Hannu Leiden making the call to place the vocal harmony in
the chorus on the first half, versus the second half of the section,
as Kyuss originally had done, this new version of Green Machine sounds
powerfully potent.
"A lot of our critics ragged on us in the past for calling ourselves
the Stoner Kings while not presenting the typical, mantric, laid back
and drudgy desert rock vibe." Michael elaborates. "Well, listen to the
original version of Green Machine. It's not bong-tripping haziness.
It's full of attitude and punch. That's where our sound lies, so this
was more than an apropos choice."
5. Down To Zero:
Down To Zero was written about 5-6 years back by band vocalist Michael
Majalahti. Michael even had his Angel of Sodom band guitarist Eero
Tertsunen lay down a demo of the track on Cubase, which could be used
as a sample to showcase to the band once recording time came around.
This song carries a peculiar, almost Nirvana-like main riff. It's
downcast, yet at the same time, upbeat. The crowning element here,
though, is the guesting lead and guitar solo by Alexi Laiho from
Children Of Bodom.
"Alexi is an old friend, and he also guested on the solo of a song off
of our 2006 album, Fuck The World." explains Michael. "I was stumped
as to what to do to push this song past the mundane level where I kind
of felt it was without a good lead and solo. After a bit of
deliberation, I reached out to Alexi and asked if he could cook
something up. The man is a literal guitar genius, as the world already
knows, so it was a task perfect for him. He pulled it off in spades
and took this song to killer status!"
6. Cro-Magnon:
With a monsterous, intimidating main riff that carries the song and a
punchy chorus that makes you want to shake your fist and move your
hips, Cro-Magnon has fast become a live set mainstay, even before the
band recorded the song.
"It's an absolute killer," remarks band vocalist Michael Majalahti.
"Plus, it's an absolute statement in and of itself. The message here
is visceral and clear. The overall intonation behind the album title,
Alpha Male, is echoed the most through this song, which balks and
laughs at our modern era's attacks on traditional masculinity and
claims of anything even remotely male in the classic vein as being
toxic, as they love to color it."
Even Children of Bodom vocalist/guitarist Alexi Laiho has made the
statement that this is the most potent Stoner Kings song that he has
ever heard. We covered Alexi's contribution to the Alpha Male album in
our last Track-by-Track of the song, Down To Zero.
"We're not here to be politically correct and bend over backwards in
the attempts of pleasing people," says Michael. "We're here to bring
back the core of rebellion to rock music in general, as rock has lost
its original heart and soul, bowing out in fear to the mass opinion of
the media and public at large. Rock was meant to swim against the
tide, since day one. That's exactly what Cro-Magnon resonates."
7. Demon Cloak:
There was a time when Stoner Kings were considering adding a Hammond
player to the band line-up, circa. 2003. At the time, riff rock
heavyweights like Spiritual Beggars were tearing it up with Hammond a
strong part of their musical fare. It was a point to ponder, for sure.
On Stoner Kings' second album, Fuck The World, from 2006, the songs
all had Hammond integrated into them, played by Eero Kaukomies
(formerly of GAMMA RAY (Official)). Eero was not a band member,
instead he performed as a session musician, offering a piece of the
puzzle that Stoner Kings otherwise did not offer live.
With Alpha Male, Stoner Kings' third album, the only song that
features Hammond is Demon Cloak. It's also the longest song on the
album, clocking in at almost six minutes.
Demon Cloak tells the story of Satan's fall from an allegoric
perspective, rich in undertones that lend from Uriah Heep and Deep
Purple. In this way, it's perhaps the most radio-friendly song on
Alpha Male, not counting its length.
Demon Cloak features Mikko Rintanen of Wigwam and Royals fame on
Hammond. Be sure to do yourself a favor and check it out! This one has
'70s vibes plastered all over it.
8. Born Of Ape?:
This song was inspired by the obvious fallacies of Darwinism, which
has changed faces so many times over the decades that it bears no
constant. With the scientific community at large adopting Darwinism
back in the day as the toted company line of choice, this form of
social engineering became the accepted sociological norm from academia
onward to pop culture.
Born Of Ape? challenges and defies Darwinism at its core, making one
ask that were the teaching true, why would monkeys still walk the
Earth alongside humans today after all of the proposed billions of
years of evolution?
Born Of Ape? was musically penned originally by guitarist Petteri
Hirvanen, who was the six-stringer for the third incarnation of Stoner
Kings between 2007-2008, with lyrics concocted by band vocalist
Michael Majalahti.
Born Of Ape? is a catchy, chunky, groovy number with a definitive
commercial swagger to it. The chorus is a keeper and the message is
bound to infuriate, charm and/or just garner a response in general, no
matter your personal beliefs or leanings as to the origins of the
human species.
Rock music was once rebellious, counter-culture and against the grain.
So is Born Of Ape? off of Alpha Male.
9. Bringing Out The Dead:
Of all the songs on the new Alpha Male album, Bringing Out The Dead
was written literally in the final phases of recording, much like
Metallica's entire St. Anger album.
The band tried arranging several demos written by band songwriter and
vocalist Michael "StarBuck" Majalahti over the years, but none of them
seemed to fall into place with the overall vibe of the material
otherwise recorded for Alpha Male. Thus, Michael had a riff that he'd
been working on, which the band expanded and orchestrated into a whole
song.
Bringing Out The Dead carries somewhat of a Corrosion Of Conformity
vibe, with the vocals reminiscent of Pepper Keenan's delivery. It's a
very groovy number with dark undertones. There's something almost
Marilyn Manson-like in the tone of the chorus line. The bridge of this
song is altogether different and more weighty than the vibe of the
composition otherwise.
At the very least, Bringing Out The Dead is one of the most
experimental songs ever written by Stoner Kings, and stands out on
those merits alone.
10. Universal:
"Universal was written back in 2003 and recorded as a demo that year."
tells Stoner Kings band vocalist Michael Majalahti. "It has such a
great main riff that I had it stowed away for safe-keeping. Finally,
once we got around to recording this third Alpha Male album, I knew we
had to include it."
If anything can be construed as a true nod-to-Sabbath riff, Universal
is exactly that. It's like an updated throwback. "It sounds like
something Spiritual Beggars would have written about 20 years ago, and
that's purely a positive thing." Michael adds.
Universal recants a hypothetical view of eternity, post-mortem. It
enters and entertains the plausible human emotion of realizing that
once time is over and the soul enters eternity, the weightiness of the
never-ending ever-after then sets in. Really, Universal is a daunting,
albeit taunting, track, making the listener truly wonder "What if?".
Enjoy the ride, as this number grooves like nobody's business and
stomps like a T-Rex out for blood.
11. Bigger Louder Harder:
Bigger Louder Harder is the album closer on Alpha Male, and it's only
apropos that a song resonating such a strong statement is placed as
the finale of an opus such as this.
It was Stoner Kings producer Hannu Leiden that claimed this song
reminded him of Metallica, and we're not sure how to take that. Not
only are Stoner Kings and Metallica from totally different metal
sub-genres, but any such similarity is purely coincidental.
"Bigger Louder Harder is a hearty, snarky rebuttal to all of those,
that have opposed us since our beginnings for carrying the name that
we have." states band frontman Michael Majalahti. "Some folks just
can't wrap their heads around how some band has the audacity to call
themselves the Stoner Kings. It's as if they take it as a personal
affront to the genre's bigwigs from back in the day like Kyuss,
Monster Magnet and Fu Manchu. We never claimed any such insurrection
or inclination, but the haters just never got it. Therefore, I felt I
owed our detractors one more hymn, and here it is in unapologetic
fashion!"
Bigger Louder Harder is audacious, brazen and hostile all at the same
time. It takes no prisoners and bows to no one. It's soul is metallic,
it's drive is unrelenting and it's mantra is clear: Stoner Kings
aren't here to play nice. We're here to make our mark and stake our
own claim.
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