Track By Tracks: Apocryphal Wound - Mors Advenit Primis Diluculis In Tergo Equi Maledicti (2025)

1. Desperation is the Blade that Pierces the Flesh of Life "Desperatio est gladius qui carnem vitae perforat":

 

The album opens with a visceral declaration: despair is not a weakness, but a sacred wound, an altar where illusions are slaughtered. The track paints existence as a grotesque masquerade of faith and decay, where hope is not salvation, but a parasite feeding off the dying soul. Cloaked in liturgical wrath, the voice chants in Latin as if vomiting centuries of anguish. The sacred is blasphemed. The divine, dethroned. In the temple of anguish, only despair remains pure.

2. The Flaming Sword of the Vengeful Angel that Washes the Sins of the World (The Transcendental Torment of the Babylonian Harlots) "Gladius flammeus angeli vindicis qui peccata mundi lavat (supplicium transcendens meretricum Babylonicarum)":

A requiem for salvation. This track unfolds like an apocalyptic litany, where angels descend not to heal, but to slaughter. Babylon lies in ruins, yet the harlots smile, reborn in ecstatic damnation. Blood baptizes the garden of serpents; venom waters the flowers of mockery. Their vulvas are gateways to the cosmic tomb of the Primordial Mother, and their flesh, now cosmic ash, drifts through the void. Redemption is found in sacrilege. Catharsis is carved from sin.

3. Quantum Cemetery "Cœmeterium Quantum":

The final procession. A descent into a cemetery beyond time, where entropy reigns and divinity is obsolete. Here, the soul is dismantled and rebuilt from relics of forgotten futures. The esoteric self wanders among holographic mourners, their veils woven from deceit. Above, the constellations mourn in silence. Below, Caronte waits with an empty boat. Through a stained-glass window gifted by Oedipus, the narrator gazes at the collapse of meaning. Wrapped in stardust and silence, he embraces the final duality: pain and ecstasy, fused in the void of a quantum grave.