Track By Tracks: Nekromatics - Place Of Indulgence (2025)
1. Land of the Shallow Graves:
The album opens with a descent into decay and oblivion. “Land of the Shallow Graves” welcomes the listener to a forgotten burial ground where death reigns supreme and life is just a fleeting illusion. Haunted by whispers from below, the song exposes the fragility of existence and the grim beauty of eternal darkness.
2. Overkill Boulevard:
A neon-lit nightmare of chaos and temptation. “Overkill Boulevard” takes us through a cursed city where sin, violence, and madness intertwine. It’s an anthem for the damned, a blood-soaked celebration of destruction and desire, where every scream echoes like music in the dark.
3. Necropolis Ablaze:
Here, the city burns. “Necropolis Ablaze” depicts the end of all things, a metropolis engulfed in flames and haunted by the ghosts of its past. With relentless riffs and apocalyptic imagery, the track stands as a funeral pyre to humanity itself, where no one escapes and nothing remains.
4. Delusions and Death:
A psychological descent into madness. “Delusions and Death” blurs the line between dream and nightmare, between what’s real and what’s rotting inside the mind. Echoes, shadows, and shattered visions merge in a suffocating spiral, a soundtrack to the collapse of sanity.
5. Love, Murde,r and Mental Issues:
A tragic "ballad" wrapped in acoustic despair and whispered insanity. “Love, Murder and Mental Issues” tells the story of obsession and downfall, where love becomes a weapon and promises turn to blood. It’s intimate, disturbing, and painfully human, echoing the duality of passion and psychosis.
6. Dead End Paradise:
The lights fade, but the city never sleeps. “Dead End Paradise” portrays a dystopian wasteland of sin and steel, where neon lights reflect off puddles of blood and broken dreams. It’s a grim hymn to self-destruction and decay, where beauty rots beneath the surface of corruption.
7. Shadows Await Behind the Walls:
This track drags the listener into pure dread. “Shadows Await Behind the Walls” traps the mind in a claustrophobic nightmare where time collapses and fear takes form. Haunted by unseen eyes and creeping footsteps, it embodies paranoia and the inevitability of death; the hunted becomes the prey.
8. Doctrine of Flesh:
The album closes with a cryptic spoken word piece, “Doctrine of Flesh”, a reversed sermon on indulgence and the decay of the soul. Its distorted voice speaks from beyond comprehension, echoing the album’s central theme: the pursuit of desire as both creation and damnation. Played backwards, it reveals fragments of forbidden philosophy, a final descent into the abyss of human indulgence.


No hay comentarios