Track By Tracks: Sangue e Aço - Profanação Cirrótica Luciferina (2025)

1. Eucaristia de Entranhas (Intro):

The album begins with a grotesque liturgy: an unholy Eucharist not of bread and wine, but of entrails and blood. This intro sets the stage for the blasphemous journey ahead, invoking a perverse sacrament where flesh itself becomes the chalice of damnation.

2. Profanação Cirrótica Luciferina:

The first full track erupts as a hymn of desecration and intoxication. Cirrhosis becomes both disease and metaphor, while Luciferian fire burns through the veins. A pact of rebellion is sealed in blood, alcohol, and sacrilege, establishing the duality of light and darkness that permeates the record.

3. Celebração Sodomita das Bacantes Infernais:

A ritualistic orgy of sound and imagery. Infernal bacchantes dance in ecstatic frenzy, merging lust, fire, and sacrilege. Flesh and spirit dissolve into one infernal celebration, echoing ancient rites of chaos and excess.

4. Sob um Negro Céu:

A suffocating atmosphere dominates this track. Beneath a blackened sky, blood and sin intertwine in grotesque ritual. Drinking from the profane womb becomes a metaphor for consuming corruption itself, a hymn of damnation and obscenity.

5. Celebração Orgiástica das Virgens de Salem:

The witches of Salem are reimagined as triumphant figures of lust and rebellion. Virginity is sacrificed in a frenzy of carnal liberation under the full moon. A hymn of ecstatic freedom, reclaiming persecution as power.

6. Sortilégios de Embriaguês:

A drunken spell, a hymn to intoxication as transcendence. Wine, steel chalices, and lunar invocations create a hallucinatory atmosphere. Drunkenness becomes sorcery, dissolving the body into ritualistic abandon.

7. Sacerdócio Vaginal Urbi et Orbi:

The body becomes a temple of blasphemous liturgy. Moans replace prayers, lust becomes divine communion, and prostitutes and wine crown the ritual. A parody of sacred order, turned into ecstatic devotion.

8. Cálice de Sífilis nas Ruínas de Sodoma:

A vision of plague and ruin. Sodoma is reimagined as humanity’s collapse under its own desires. The chalice of syphilis is both literal and symbolic: disease as punishment, but also as a perverse communion.

9. À Sombra do Nefário Pénis de Pazuzu:

Under the shadow of Pazuzu, demon of plague and wind, lust and despair intertwine. His phallus becomes a grotesque symbol of domination and insanity. The track is suffocating and ritualistic, a descent into madness where desire and despair are indistinguishable.

10. Delirium Tremens Sathanas (Outro):

The album closes in delirium: a satanic vision of alcohol-induced madness. The outro is both collapse and transcendence, a final intoxicated prayer to the abyss. Here, the listener is left trembling between ecstasy and ruin, as if awakening from a ritual that cannot be undone.