Track By Tracks: Necrogore - Ectoplasmic Rape Phenomena (2026)

1. Intro:

As in the first EP, Necrogore opens their first album with an instrumental intro. The song is basically divided into 3 parts. The first one, comprising only abyssal sounds and very deep notes, evokes a suspended abstract ambient, an intangible reality. The second part connects to this first reality, an introductory discourse spoken by a clean guitar and a pipe organ that leads to the third part, where chainsaw guitars overlay the chord progression. This starts conferring the album part of the sound that will anticipate the next songs, driven by a final guitar solo.

2. Raptured, Tortured, and Chained:

This song brutally enters a new mood, quickly led by the former atmosphere. After the first, introductory riff, a quick pause reveals the fast nature of the song, depicting also lyrically the content of the track. Raptured, tortured, and chained is an awakening in a torture chamber, where a woman will experience the captivity of a victim, which is not the first, nor will be the last, of her executioners.

3. Offered to the Dead:

The track opens fast with an elaborate guitar riff to open the cadenced strophes and the deeply dark atmosphere of the tale. An impostor is punished for his reprehensible deeds by finding himself supine in unconsecrated ground, while his blood seeping into the soil awakens and attracts the dead, who, ascending into the substratum, will feed on the still living offer. The final of the song is evocative, marking the macabre death sentence in dismemberment and mastication.

4. Forced to eat Shit:

In our lives, we've all felt the need to take revenge on someone who has crossed a line. A suitable solution for Necrogore seems to be to kidnap our enemy, immobilize him in a chair, and force him to ingest his own recently avulsed appendages. The excretions produced by digestion will be the obligatory second meal until sepsis sets in and internal devouring by the larvae. The rhythms are fast, like revenge, and the second solo of the album is served.

5. Leeches on my Dick:

This track is quite possibly the album's most profound song and lyric. It opens with a slap-in-the- face riff, then transitions into the blistering tempos that have defined the album thus far. In addition to those who enjoy hurting others, there are those who literally enjoy physically harming themselves. The protagonist of this song is now confined to his home, having undergone multiple self-mutilations that have rendered him a monster, unfit for society. The pleasure derived from extreme self-harm culminates with the application of leeches to his erection, while life abandons him piece by piece.

6. Ectoplasmic Rape Phenomena:

This is the second instrumental track on the album. Unlike the first, the sounds are and remain those defined by the sound concept. The track takes its name from the album’s title, and, through its multiple shifts in tempo and rhythm, recounts the various phases of a violence performed by a force intangible to us, yet one that transforms our body and soul into an ectoplasmic mush, feeding on our life from the womb, materially stripping it of its concrete substance.

7. Mediumistic Intercession:

This song connects to the previous one, lyrically describing what happened. The riffs are fast and sharp, while the song speaks to us of the symptoms generated by the connection with an unknown horror, not native to our plane, invited into our world by a voluntary request, which will lead the medium to the experience of a new death.

8. One Foot in the Grave:

This track, with its moshpit tempos and riffs, tells us about the consequences of apparent death. Dying once, only to wake up in a coffin, and experience a new death alone, in panic, in the dark, constipated in a wooden embrace.

9. Sulphureal Morbid Corpse:

We've reached the album's epilogue and the path of death that has accompanied us up to this point. Rhythm has changed; we're already dead, a corpse. Now all we can do is contemplate everything we've done and haven't done, and all the evil we've taken to the grave. In this track, Patrik Fernlund from the iconic band GOREMENT offers his guitar to the album, which, along with Alex's, joins in with harmonizations and solos in the cadenced final sentence.

10. The Texas Chainsaw Massacre 2 Main Theme:

Necrogore wanted to include a tribute to the world of horror cinema in their first album. This is one of the band's sources of inspiration, and a passion shared by all members. The choice of song was deliberate. They didn't pick up one of the most popular and well-known themes from the most successful films, but a song from the first sequel to a great masterpiece, The Texas Chainsaw Massacre. The song, originally composed by Jerry Lambert, lends itself perfectly to being rearranged and performed by the instrumental trio solely composed by guitar, bass, and drums. The real gems aren't found on the surface, and as with underground music, the horror genre deserves to be explored and analyzed in all its operas.

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